Ellipse Glasses
COLLABORATION
Breezm
SPEC
Spec:139*36 (Rim) 149*36 (Temple)
EXHIBITION
DDP Gallery MUN Exhibition
Martin Margiela
at Hermès (1997-2003)
In the 1990s, Martin Margiela emerged as an avant-garde and pioneering creative fashion iconoclast. Unlike his personal line, which reflected a bold and innovative approach, the clothing Margiela designed for Hermès was characterized by a simple yet extremely refined silhouette that played with the notion of the classic.
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Interpret the essential components of the garments to create a geometric eyewear frame
Martin’s work for Hermès, in particular, represents remarkably timeless design. I've sought out which details contribute to creating minimal lines through his pieces. Crafting a solid frame from fabric details required a deep understanding of the fabric material's characteristics due to the polar opposite of traits. Therefore, I focused on the process of devising a meticulous approach, starting with identifying the cloth's structural correlation. Exploring various garments, including patterns and materials, led me to establish two design languages for eyewear: fluid flow and deformable structure.![]()
In the 1990s, Martin Margiela emerged as an avant-garde and pioneering creative fashion iconoclast. Unlike his personal line, which reflected a bold and innovative approach, the clothing Margiela designed for Hermès was characterized by a simple yet extremely refined silhouette that played with the notion of the classic.
Interpret the essential components of the garments to create a geometric eyewear frame
Martin’s work for Hermès, in particular, represents remarkably timeless design. I've sought out which details contribute to creating minimal lines through his pieces. Crafting a solid frame from fabric details required a deep understanding of the fabric material's characteristics due to the polar opposite of traits. Therefore, I focused on the process of devising a meticulous approach, starting with identifying the cloth's structural correlation. Exploring various garments, including patterns and materials, led me to establish two design languages for eyewear: fluid flow and deformable structure.
Essential design languages:
1. Fluid flow
Continuous lines highlight a broad spectrum of comfortable silhouettes and refined volume.
2. Deformable structure
When it comes to deep V-necks, the edge and flow of surfaces transform naturally. It creates a sense of extreme simplicity, but it is in visible form.
1. Fluid flow
Continuous lines highlight a broad spectrum of comfortable silhouettes and refined volume.
2. Deformable structure
When it comes to deep V-necks, the edge and flow of surfaces transform naturally. It creates a sense of extreme simplicity, but it is in visible form.
